by Lois V. Nightingale ‧ RELEASE DATE: May 5, 2018
An empathetic and intensely useful series of instructions on helping kids grow after a divorce.
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In this guide, a psychologist and family therapist focuses on shepherding children through the upheaval of divorce.
This latest book from Nightingale (It’s a Bedroom, Not a Boardroom, 2016, etc.) advises readers on some of the many complexities involved in helping kids deal with their parents’ divorce and build personal resources that will serve them throughout their lives. The author urges parents to remember that as upsetting as a divorce is, it’s one episode in the whole life of a child, who will grow up to implement whatever lessons that the breakup teaches. “If you’re undecided about what to make a big deal out of, and what you want to rise above,” Nightingale counsels, “picture your child telling the story of this situation to your grandchild, and then your grandchild telling it to your great-grandchild.” The author reminds readers that each child is unique. When she sees kids in the course of her professional practice, she often lets them lead the conversations about how they’re feeling. This narrative thread runs throughout the book, with Nightingale opening each chapter with a brief fictional sketch designed to dramatize some of the key items under discussion. The manual ends by summarizing some of its central points: that parents should not just talk about expressing feelings but model how to do that; that they should work to give children the tools they need to cope; and, crucially, that they should keep the things they can change separate from the things they can’t. A short list of recommended books for further reading is appended. “In my 35 years practicing as a therapist, I have never seen the path of divorce be ‘the easy way out,’ ” Nightingale writes. “It’s a complicated, messy event and everyone in the family feels the pain.” The main strength of this short guide is the way the author mixes this bedrock of extensive professional experience with an unflagging empathy throughout, both for the children and for the parents going through a divorce. Virtually every page conveys the feeling of talking with a sympathetic and calming friend who’s had far more experience grappling with divorce and knows all the right things to say. The points most often made here in various iterations are twofold: that each child will react differently to divorce, and that this event, which Nightingale calls a “tragedy,” can have a silver lining, laying the groundwork for kids to build coping skills that will serve them all their lives. The author deftly reminds her readers of several things they might be forgetting, such as the fact that everything children know about divorce they likely learned from TV and movies, and that one of the biggest mistakes parents make during the turmoil of the breakup itself is to forget that their kids may be intentionally avoiding the subject of how they feel about it. In these and other cases, the author asserts, it’s better to “lead with curiosity” rather than always be instructing. Resisting the urge to jump in and offer quick fixes (or bribes) is the best way adults can signal that they see children as resilient and capable.
An empathetic and intensely useful series of instructions on helping kids grow after a divorce.Pub Date: May 5, 2018
ISBN: 978-1-889755-08-3
Page Count: 78
Publisher: Nightingale Rose Publications
Review Posted Online: Aug. 29, 2019
Review Program: Kirkus Indie
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by Elijah Wald ‧ RELEASE DATE: July 25, 2015
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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